Okay, let's be clear from the start: there is no plot. Michel de Montaigne invented the essay as we know it, and for him, that meant following his thoughts wherever they wandered. After retiring from public life, he literally locked himself in a tower filled with books and started writing about... well, everything. Volume I covers a wild range: the education of children, the customs of ancient warriors, whether it's better to be sad or angry, and lengthy discussions on seemingly random topics like smells and cowardice.

The Story

There's no story in the traditional sense. The "narrative" is the unfolding of Montaigne's mind on the page. He uses stories from history, his own experiences (like nearly dying in a riding accident), and observations of the world around him as jumping-off points. One moment he's analyzing Roman battle tactics, the next he's pondering why we cry from happiness and sadness. The only through-line is Montaigne himself—his doubts, his joys, his changing opinions. The book is his attempt to paint a portrait of a man, flaws and all, and in doing so, he ends up painting a picture of all of us.

Why You Should Read It

You should read this because Montaigne is the most relatable genius you'll ever meet. He's not building a grand system of thought; he's just trying to figure things out. His central question, "What do I know?" is incredibly humble and powerful. Reading him feels like a relief. He gives you permission to be uncertain, to change your mind, and to find the extraordinary in the ordinary details of life. His essays on friendship and facing death are profound, but he's also laugh-out-loud funny when describing human quirks. This self-published version (a nice touch, as he was essentially self-publishing in his own time) captures the direct, unpolished voice that makes him so timeless.

Final Verdict

This book is perfect for curious people who enjoy big ideas served with a personal touch. It's for anyone who likes podcasts or long-form journalism that explores the human condition. If you enjoy authors like Sarah Bakewell (who wrote a fantastic book about Montaigne) or the personal, digressive style of writers like Lewis Hyde, you'll feel right at home. It's not a quick read—it's a book to dip into, to argue with, and to keep on your bedside table for years. Start with Volume I, make a new old friend, and see how your own thoughts start to wander.